Literary Orphans

The Burning Valley Midwest Twenty-Three
by Nathan Elias



I felt the fire’s rock-steady inertia pulling us along

through smoky clouds overlooking the glass ghost valley.

We rose where rivers intersect at the wrist like vapor

null to the sound of history’s heavy heartbeat.


We burned and crowed in harmony with rusty

road-show record players, rocked forth and back, lost

and high on the frequency of rickshaw radio, got lit

off those soothsayer poets, bohemian angels


whose albino guise danced the Macarena

under pale blue Boricua moonlight and led

our mariachi band to a sky where gravity sang

the violin verses of underwater maestros,


whose bloody feet fled the West Palm wasteland

after Los Angeles, after Philadelphia, after the Black

Swamp to chase down the last hellhounds in waking

madness, in the shadow of tombstone fields


where the writing thousands revived

Darwin and reminded the five-sided figures

to burn inside the church of time, inhale

paraffin breath from spitfire lungs.


All at once they opened their mouths, lit up

the midnight valley of the Midwest muse and cast

lonesome pavonian fireworks down the throat

where the bones and belly still cry for life.

O Typekey Divider


Nathan Elias currently lives in Los Angeles pursuing a career in film and television. He was inspired to write poetry by a developing scene in Toledo, Ohio, and by the late poet Rane Arroyo. Elias’ work has


appeared in Red Fezthe beatnikDogz PlotThe MillToledo Poetry Examiner and The Capstone Review. His chapbook “Glass City Blues” won the Shapiro Scholarship in 2010. His short screenplay was published in “Screenwriting 101:Starting Small While Thinking Big”, and his short films have screened at Toledo Museum of Art Film Festival, Texas Film Festival, Once A Week Online Film Festival, and MTV among other international publications.


O Typekey Divider

–Art by Navid Sanati

bridge media | Shop: Nike