Literary Orphans

Two Poems
by Peter Marra

urban_love_i_by_michela_riva-d5rs11f

Noises In The Wall

summer–

white smokey

light

afternoon queasy
walking down the street.

slow motion girls curvy

behind the glass

wave at him
he’s walking by

slowly now
out of the corner of his eye
slow motion they laugh

and count their fingers
one for each thing they desire
turning quickly he starts

and they stop.

run down the block
slight fears in brooklyn

just enough to

tingle his spine

in the afternoons when

the wind is a soft

warm noise behind

the house it happens again

clutching her shadow

in the alley between the

houses back against the wall

he sings slowly to himself

dream lover slips a secret

into his hand

if he was goodie

a case of illicit taxidermy

 
 

O Typekey Divider

 

Scenes From A Magic Lantern Show

. . . . . . . . . .  slide 1: abandoned sound recording

the camera caught others eagerly waiting emotion to appear

stationary rays now cross violently

phenomena moved. she experimented with her mouth as

the knowing ghosts became scanned images.

her lips were stretched even more (no sound)

as human movement crawled through her body.

the images from all of them tightened around her neck.

she was opening her thighs as she sobbed,

“exactly what i want.”  god used by charlatans.

search. watching & being watched.  a tasty / sleazy radio angel.

. . . . . . . . . .  slide 2: a radioactive itch

watch out for images that entertain by arousing atoms. (quarks’

splinters and endless gazing at photos). mounted, as a screaming

slaughters the wilderness; then bending backwards to see the sky that

she missed so painfully. when done she got into the vacant black

sedan and slept for 45 minutes. the rifle in the back seat was very warm.

the spatial dimension of the cocktail dress caused panic, not an image.

a moaning and a bounce as she glanced in her rearview. they pick who i am.

18 minutes of fantasy punishments then a clear view out the windshield.

it’s important to know your victim before the trap is baited. anthropologists are starting to study them. “her face was there and so was the silence.” hiroshima

atomic mushroom cloud had the hitcher trembling by the side of the road.

rain was falling and black tears stained her pale white blouse. living creatures.

blurred animals were walking slowly behind her as the black car slammed its brakes. rotten fruit smell. carrara marble pained in tears. a radioactive bitch.

. . . . . . . . . .  slide 3: lips, chin and eyes

it felt so nice to float and say goodbye, to be used so directly then to

rest gently like dirt under rainfall. cinematography like wet tongue.

mouth open, no sounds. embarrassed to state her wants. translucent dyes

on glass, an exhibition system as he was self-incriminating. filtered light

burned his eyes, her face visible through the glass, she taunted his blindness.

begging for a mask she bartered with 3 dead doves held tightly to her bosom.

stapled to the wall, he looked away and the carefully burning curtains parted.

in another lifetime, rain is no relief. they stop to rest and chat about the victim and other issues: white noise torn from lightning and the taste of iron.

initially painted onto the these “ghosts” were moans of pleasure, cold and thighs.

in the morning the wives spoke of the techniques of the night. fingers glistened

under the light bulbs the stories changed endings several times. dust danced

among black light insects and lips moved to a sound only they could decipher.

slapped up-and-down amongst the figures depending on time as applicable: events moved up-and-down, she cried every 3 minutes gasping for air.

 
–Poems by Peter Marra
–Foreground photo by Michela RivaSports Shoes | Nike Air VaporMax for Men & Women – Buy Online – Ietp