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	<title>Unshod Quills &#187; Shanna Germain</title>
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	<description>A Pandemic Journal of Arts and Letters</description>
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		<title>Shanna Germain</title>
		<link>http://www.literaryorphans.org/rookery/UnshodQuills/2012/06/19/shanna-germain/</link>
		<comments>http://www.literaryorphans.org/rookery/UnshodQuills/2012/06/19/shanna-germain/#comments</comments>
		<pubDate>Tue, 19 Jun 2012 09:10:52 +0000</pubDate>
		<dc:creator><![CDATA[Unshod Quills]]></dc:creator>
				<category><![CDATA[UQ Compatriots]]></category>
		<category><![CDATA[Shanna Germain]]></category>

		<guid isPermaLink="false">http://unshodquills.com/?p=1764</guid>
		<description><![CDATA[On the themes of  Amelia Earhart, slut, cigarettes and the last word Becoming Amelia After the crash, sea turtles ask god the big questions. I toss them day-old katydids, stale slices of moths’ wings, my dented zipper pull. Always indecent, the river lowers her hem another inch, invites married men to slap her banks. Her [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><em>On the themes of  Amelia Earhart, slut, cigarettes and the last word</em></p>
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<h5>Becoming Amelia</h5>
<p>After the crash, sea turtles ask god the big questions. I toss them day-old katydids, stale slices of moths’ wings, my dented zipper pull.</p>
<p>Always indecent, the river lowers her hem another inch, invites married men to slap her banks.<br />
Her fish flash their scales for the fan dance,<br />
but anyone can tell they&#8217;re on their last grasp.</p>
<p>Are those searchers or leapers lined up on the bridge? Distance over water refracts the angles,<br />
makes the river lick the sky. If she tastes<br />
like lace, I&#8217;m climbing up there to kick her ass.</p>
<p>There are no rocks in the air pockets;<br />
this is not one of those times. Death does not become anyone, least of all me. I&#8217;ve sewn my lungs shut in case the sky gets wild,</p>
<p>and tosses her hair. Clouds stick to the soul<br />
but don’t leave the patterns you expect.<br />
I&#8217;ve heard there are women who behave,<br />
walk backwards, never show their knees to strangers.</p>
<p>My legs are criss-crossed with tying down. Silver<br />
at throat and hand at hem. A compass always points north, but sand dollars hide five bone-bleached doves. When I break them open, their beaks will carve me wings.</p>
<p>&nbsp;</p>
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<h5>It Wasn’t a Red Riding Hood</h5>
<p>It was a crimson corset, leather and laced tight.<br />
But don’t tell mom that—hard enough to talk her out of pink.<br />
Dads, on the other hand, always know which way their daughters lie. Don’t hurt each other, he said. But he gave me the axe anyway.</p>
<p>The rope I found in Grandma’s closet—she always did<br />
have a dark streak tucked beneath her bonnet. Listen, she told me once, there is nothing about prey that you don’t already know<br />
in that mossed space between your thighs.</p>
<p>Again and again, I find him in the woods, that clearing where paths wind figure eights around fragile trunks.<br />
When he turns his lips inside out, bone needles pin<br />
me to the pines, scratch the skin from the blades of my back.</p>
<p>Beyond the hedge, the washerwomen spread stained<br />
clothes in the current, hearing nothing by their own dirty song. A single shirt, tattered and torn, breaks free,<br />
runs red as a tongue to lap wild at the river’s bend.</p>
<p>Look, I say to him. I unweave the skin laced<br />
through my breast bone, wrap it taut around his throat. You’re a dog. You’ve always been a dog.</p>
<p>Tomorrow, he’ll growl and sniff at the damp slit of my skirt.<br />
I’ll clench his leash in my mouth and beg to be dragged through thorns.</p>
<p>&nbsp;</p>
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<p>&nbsp;</p>
<h5>On Quitting: Notes</h5>
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<p>Cigarettes mourn the loss of your mouth.<br />
The first chapter of a matchbook tells the whole story.<br />
My coughs wake the neighbors. They think I have a dog child purpose.</p>
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<div><img src="///page2image17224" alt="page2image17224" width="18.000000" height="0.599980" /></div>
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<div>There is nothing to filter me from these dangerous substances.</div>
<div>My nails curve black with the skin of your ash.<br />
I have forgotten how to suck.</div>
<div>That cherry glow is only a prettier will-o-wisp. Astray isn’t even the word. Gifts of antique ashtrays in the shape of donkey’s asses.</div>
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<div>Endings are hard.<br />
Sometimes endings aren’t endings at all.<br />
Just burning too close to the fingers. You forgot to let go.</div>
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<p>&nbsp;</p>
<h5>Ancient Chinese Secret</h5>
<p>Used to be how to get clothes clean, no, white. How to remove the stains of your life with a smile and a closing</p>
<p>of the big square door. Sunday mornings tasted like cartoon explosions and cereal-coated decoder rings,</p>
<p>smelled like the hiss of the hot iron<br />
on a vodka-sprayed hem. Somewhere<br />
in TV Land, a woman smiled for a camera.</p>
<p>Who knew a woman could smile like that, white boxes of her teeth lined up like machines. Chew, chew, chew, rinse, spit. Repeat.</p>
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<p>Now Sundays sound like a cycle of despair<br />
and fragrance-free soap. Everything’s washed in<br />
cold and rinsed in lukewarm. Even Monday’s panties.</p>
<p>The secret is the coverings don’t matter. This shirt, these pants, that sock,<br />
you can’t read the language of their seams.</p>
<p>The secret is written on my body.<br />
It’s not ancient. It’s not even that secret. Come closer. Spin the dial. Pull the wet truths from my gaping mouth.</p>
<p>***</p>
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<p><span class="Apple-style-span" style="font-size:11px;font-weight:bold;">Author Biography</span></p>
<p>Shanna Germain is a writer and editor. Her work appears in Absinthe Literary Review, Best American Erotica, Pank, Salon and Storyglossia. <span style="color:#000000;"><a href="http://www.shannagermain.com"><span style="color:#000000;">www.shannagermain.com</span></a></span></p>
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