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	<title>Unshod Quills &#187; rapture</title>
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	<link>http://www.literaryorphans.org/rookery/UnshodQuills</link>
	<description>A Pandemic Journal of Arts and Letters</description>
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		<title>Chris Leja</title>
		<link>http://www.literaryorphans.org/rookery/UnshodQuills/2011/09/14/chris-leja/</link>
		<comments>http://www.literaryorphans.org/rookery/UnshodQuills/2011/09/14/chris-leja/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 03:00:35 +0000</pubDate>
		<dc:creator><![CDATA[Unshod Quills]]></dc:creator>
				<category><![CDATA[UQ Compatriots]]></category>
		<category><![CDATA[Chris Leja]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Portland]]></category>
		<category><![CDATA[rapture]]></category>

		<guid isPermaLink="false">http://unshodquills.com/?p=742</guid>
		<description><![CDATA[Portland poet Chris Leja on the topic of rapture. After The Rapture Had Passed we drank like beaches trying to swallow the ocean, our voices, trapped in bottles rising with the tide (there was a message behind the shouting.) We made a bonfire in the front yard, with papers and notebooks for kindling, left a [&#8230;]]]></description>
				<content:encoded><![CDATA[<h5>Portland poet Chris Leja on the topic of rapture.</h5>
<h5></h5>
<p><span style="text-decoration:underline;">After The Rapture Had Passed</span></p>
<p>we drank like beaches<br />
trying to swallow the ocean,<br />
our voices, trapped in bottles<br />
rising with the tide<br />
(there was a message<br />
behind the shouting.)<br />
We made a bonfire in the front yard,<br />
with papers and notebooks for kindling,</p>
<p>left a history of the people we had tried to be<br />
smoldering in a birdbath,<br />
a stone urn collecting the<br />
chronology of unfortunate mentors<br />
and indelicate lessons that had<br />
made us so calloused.<br />
We called it cremation,<br />
and meant rebirth.</p>
<p>When the embers of old promises<br />
suffocated the flames,<br />
we breathed for them, sending<br />
clouds of cinders swirling through the air—<br />
with each exhale, we watched the ashes hover,<br />
before they succumbed to slow descent,<br />
a picturesque blizzard<br />
surrounding some kind of Eden.</p>
<p>When the rain started, it was nothing like a baptism.<br />
It was something holier. We stood like<br />
the lungs of bonfires, reading aloud<br />
whatever the flames left legible<br />
(the words, coarse shadows<br />
on newly golden pages).</p>
<p>We joked about apocalypse,<br />
left the taste of rapture wrapped<br />
around our tongues, as we drank<br />
like saviors and laughed like thunder.</p>
<p>This is what I know of scripture—<br />
sacred is just a word for that which rebirths us<br />
into our bodies. It is not found in bibles,<br />
just the remnants of bonfires<br />
forming a galaxy around us.<br />
When the fire swallowed everything<br />
we’d once called holy,<br />
we started breathing for ourselves again.</p>
<p>I was surprised at how much<br />
it felt like prayer.</p>
<h5>Author Biography</h5>
<p>Chris Leja is a senior at Lewis &amp; Clark College in Portland, Oregon. He has represented LC three times nationally at the College Union Poetry Slam Invitational, is a founding member of the Sparrow Ghost Collective in Portland, and just released his first chapbook, <em>A Chronology of Quiet Thefts. </em>He also has an impressive collection of snakeskin shoes and a peculiar affinity for the word “vernacular”. You can contact him at <a href="mailto:cleja@lclark.edu" target="_blank">cleja@lclark.edu</a>.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Mark Brunke</title>
		<link>http://www.literaryorphans.org/rookery/UnshodQuills/2011/09/14/mark-brunke/</link>
		<comments>http://www.literaryorphans.org/rookery/UnshodQuills/2011/09/14/mark-brunke/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 03:00:29 +0000</pubDate>
		<dc:creator><![CDATA[Unshod Quills]]></dc:creator>
				<category><![CDATA[UQ Compatriots]]></category>
		<category><![CDATA[Mark Brunke]]></category>
		<category><![CDATA[rapture]]></category>
		<category><![CDATA[red shoes]]></category>
		<category><![CDATA[Seattle]]></category>
		<category><![CDATA[Unshod Quills]]></category>

		<guid isPermaLink="false">http://unshodquills.com/?p=884</guid>
		<description><![CDATA[Art and poetry on red shoes and rapture.  &#160; &#160; &#160; Love and Coffee on the theme of rapture &#160; I was invited I remember, Accepted Into you again, and Again, always first Into your smile, Then mud-spattered in Tart tart pale sweet Watery drags of tired Love, tiered on down plants, Down blankets and [&#8230;]]]></description>
				<content:encoded><![CDATA[<h5><strong>Art and poetry on red shoes and rapture. </strong></h5>
<p>&nbsp;</p>
<div id="attachment_885" style="width: 490px" class="wp-caption aligncenter"><a href="http://www.literaryorphans.org/rookery/UnshodQuills/wp-content/uploads/2011/09/brunke-uq-submission-theme-rapture.jpg"><img class="size-full wp-image-885" title="Brunke UQ submission theme rapture" src="http://www.literaryorphans.org/rookery/UnshodQuills/wp-content/uploads/2011/09/brunke-uq-submission-theme-rapture.jpg" alt="" width="480" height="321" /></a><p class="wp-caption-text">Rapture - Mark Brunke</p></div>
<p>&nbsp;</p>
<div id="attachment_886" style="width: 490px" class="wp-caption aligncenter"><a href="http://www.literaryorphans.org/rookery/UnshodQuills/wp-content/uploads/2011/09/brunke-uq-submission-theme-red-shoes.jpg"><img class="size-full wp-image-886" title="Brunke UQ submission theme red shoes" src="http://www.literaryorphans.org/rookery/UnshodQuills/wp-content/uploads/2011/09/brunke-uq-submission-theme-red-shoes.jpg" alt="" width="480" height="320" /></a><p class="wp-caption-text">Red Shoes - Mark Brunke</p></div>
<p>&nbsp;</p>
<h5>Love and Coffee</h5>
<h6>on the theme of rapture</h6>
<p>&nbsp;</p>
<p>I was invited</p>
<p>I remember,</p>
<p>Accepted</p>
<p>Into you again, and</p>
<p>Again, always first</p>
<p>Into your smile,</p>
<p>Then mud-spattered in</p>
<p>Tart tart pale sweet</p>
<p>Watery drags of tired</p>
<p>Love, tiered on down plants,</p>
<p>Down blankets and tear drops</p>
<p>On your June balcony,</p>
<p>Hanging on a telephone</p>
<p>Wire, a memory buzz of</p>
<p>Coffee alone in</p>
<p>A tired scarf while</p>
<p>You turn towards</p>
<p>An intersection,</p>
<p>A receding rail, training</p>
<p>A fading exhaustion.</p>
<p>My fingers, I think,</p>
<p>The left ring finger,</p>
<p>Hurt at the</p>
<p>Distal phalange.</p>
<p>Stiff and bent</p>
<p>For decades.</p>
<p>I was</p>
<p>Thinking of your car,</p>
<p>The pink engine</p>
<p>With its thin chrome</p>
<p>And motherly exhaust. I</p>
<p>Was thinking of your</p>
<p>Lilies, underfed</p>
<p>In their office corner</p>
<p>And I was thinking</p>
<p>Of your brown basket,</p>
<p>A threadbare wicker,</p>
<p>Burning in its hidden</p>
<p>Flourescent shadow.</p>
<p>I was thinking about</p>
<p>Baking in your kitchen,</p>
<p>With its flavored garage</p>
<p>And rising goldfish,</p>
<p>Watching the timer</p>
<p>Expire and listening</p>
<p>To that hideous fountain</p>
<p>Babble</p>
<p>As it packs for winter</p>
<p>Elsewhere.</p>
<p>&nbsp;</p>
<h5>Author Biography</h5>
<p>Mark Brunke lives and works in Seattle, Washington.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Joseph Taylor Golding &#8211; Featured Artist, September</title>
		<link>http://www.literaryorphans.org/rookery/UnshodQuills/2011/09/14/joseph-taylor-golding-featured-artist-september/</link>
		<comments>http://www.literaryorphans.org/rookery/UnshodQuills/2011/09/14/joseph-taylor-golding-featured-artist-september/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 03:00:27 +0000</pubDate>
		<dc:creator><![CDATA[Unshod Quills]]></dc:creator>
				<category><![CDATA[Contributors]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[autistic]]></category>
		<category><![CDATA[Fire]]></category>
		<category><![CDATA[Gladly Beyond]]></category>
		<category><![CDATA[Joseph Taylor Golding]]></category>
		<category><![CDATA[rapture]]></category>
		<category><![CDATA[Richard Brautigan]]></category>
		<category><![CDATA[Somewhere Never Traveled]]></category>
		<category><![CDATA[video art]]></category>
		<category><![CDATA[video poetry]]></category>

		<guid isPermaLink="false">http://unshodquills.com/?p=738</guid>
		<description><![CDATA[Joseph Taylor Golding is an American video artist. His recorded images and words, composed of found and original footage and sound, sometimes are like messages from an imagined future long gone cold, but they glimmer lightly with something that smells subtly of hope or perfect summer blackberries.  Joseph&#8217;s work is a thing of great discovery, [&#8230;]]]></description>
				<content:encoded><![CDATA[<h5>Joseph Taylor Golding is an American video artist. His recorded images and words, composed of found and original footage and sound, sometimes are like messages from an imagined future long gone cold, but they glimmer lightly with something that smells subtly of hope or perfect summer blackberries.  Joseph&#8217;s work is a thing of great discovery, beauty and endurance.</h5>
<h5>Joseph, in his own words:</h5>
<address>artist statement for Unshod Quills:</address>
<address> </address>
<address>Joseph Taylor Golding is an autistic visual artist living in the pacific northwest. A land of black sunlight. and smiling police men . He composes the moments of poetry in his everyday life With an eye of an angel dragged in hell joseph creates poetry and visual sculptures and short films and feature films in between twin collapsing suns joseph has never called anyone father or mother so he lacks the humanity needed to be a person. in his attempts to communicate via discarded images he feels like the old coins and archeologist finds with the faces of dead kings, their value as forgotten as himself. he places a new value on them. as he does himself. Joseph studied film at Evergreen in Portland and in Paris. Joseph is supported by his imaginary friend pete . joseph&#8217;s body is primarily consisting of water, 98.6</address>
<pre></pre>
<h5>We will let Joseph&#8217;s work, video poetry on the themes of fire, America, somewhere never traveled, gladly beyond and rapture, speak now. We can&#8217;t hold it back any longer. Seldom do I comment on work published by our journal, as I like to allow the art and literature to speak for itself, but I comment now.</h5>
<h5>Thank you, Joseph. Please continue to do this work.</h5>
<h5>Anyone who might see this and be interested in learning more about Joseph, or in hearing from him, will please email me at dena @ haliterature dot com.</h5>
<h5>Dena Rash Guzman<br />
Editor<br />
Unshod Quills</h5>
<h5><strong>&#8220;My Name is Joseph&#8221;</strong></h5>
<h6>on the theme of &#8220;Somewhere Never Traveled, Gladly Beyond&#8221;</h6>
<p>[youtube=http://www.youtube.com/watch?v=oWWKJqaGTnM]</p>
<h5><strong>Drunk On Empty Words</strong></h5>
<h6>on the theme of Fire</h6>
<p>[youtube=http://www.youtube.com/watch?v=c4a-7k-cBh8]</p>
<h5><strong>Visual Sculpture &#8211; The Sky Was Full of Snakes (part one)</strong></h5>
<h6>on the theme of Rapture</h6>
<p>[youtube=http://www.youtube.com/watch?v=38zioorHgVg]</p>
<h5><strong>Visual Sculpture &#8211; The Sky Was Full of Clockwork Crows (part two)</strong></h5>
<h6>on the theme of Rapture</h6>
<p>[youtube=http://www.youtube.com/watch?v=-zyK_pcXJrI]</p>
<p>More of Joseph&#8217;s work can be found here:</p>
<p><a href="http://www.youtube.com/user/sacrificialtotem?feature=mhee">Sacrificial Totem</a></p>
<p>Look for some great work utilizing the poetry of Richard Brautigan.</p>
<h5></h5>
]]></content:encoded>
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