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	<title>Unshod Quills &#187; David Curtis</title>
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	<description>A Pandemic Journal of Arts and Letters</description>
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		<title>David Curtis</title>
		<link>http://www.literaryorphans.org/rookery/UnshodQuills/2011/06/01/david-curtis/</link>
		<comments>http://www.literaryorphans.org/rookery/UnshodQuills/2011/06/01/david-curtis/#comments</comments>
		<pubDate>Wed, 01 Jun 2011 07:20:34 +0000</pubDate>
		<dc:creator><![CDATA[Unshod Quills]]></dc:creator>
				<category><![CDATA[Contributors]]></category>
		<category><![CDATA[UQ Compatriots]]></category>
		<category><![CDATA[David Curtis]]></category>
		<category><![CDATA[Las Vegas]]></category>
		<category><![CDATA[Lipstick]]></category>
		<category><![CDATA[Mirrors]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[sonnets]]></category>
		<category><![CDATA[Transportation]]></category>
		<category><![CDATA[Unshod Quills]]></category>
		<category><![CDATA[When We Two Parted]]></category>

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		<description><![CDATA[Six Poems by David  Curtis Ambiguity of numbered events – On When We Two Parted It was never two it was three and/or more three rotate two, shift three rotate, two before that the left over numbers the dead carried propped up on shelves and in card board shoe box the big D then yes, [&#8230;]]]></description>
				<content:encoded><![CDATA[<h4><strong>Six Poems by David  Curtis</strong></h4>
<h4>Ambiguity of numbered events</h4>
<h6>– On When We Two Parted</h6>
<p>It was never two<br />
it was three and/or more<br />
three rotate two, shift<br />
three rotate, two</p>
<p>before that the left over numbers<br />
the dead carried<br />
propped up on shelves<br />
and in card board shoe box</p>
<p>the big D</p>
<p>then yes, then no<br />
repeats five times<br />
now break<br />
30 days of sulking<br />
silence<br />
maybe one more unopened letter</p>
<p><span style="text-decoration:underline;">DSC</span></p>
<p>&nbsp;</p>
<h4></h4>
<h4>adapted from Peter S Lucking</h4>
<h6>&#8211;  On Lipstick</h6>
<p><strong>Background</strong><br />
prevalent among the Sumerians, Egyptians, Syrians, Babylonians, Persians, and Greeks.<br />
Later, Elizabeth I with red mercuric sulfide.<br />
For years, rouge<br />
only promiscuous women<br />
true societal acceptance<br />
By 1915 push up tubes were available, and the first claims of &#8220;indelibility&#8221; were made.</p>
<p><strong>Raw Materials</strong><br />
<strong></strong>wax, oil, alcohol, and pigment.<br />
beeswax, candelilla wax, or the more expensive camauba. Wax enables the mixture to be formed into the easily recognized shape of the cosmetic. Fragrance and pigment are also added, as are preservatives and antioxidants, which prevent lipstick from becoming rancid.</p>
<p><span style="text-decoration:underline;">DSC</span></p>
<p>&nbsp;</p>
<h4></h4>
<h4>none of this looks</h4>
<h6>&#8211; on Transportation</h6>
<p>clean shiny version<br />
inhabits invisible places<br />
wears filthy socks<br />
walks anonymous</p>
<p>dead and dying<br />
take me<br />
to racist old folks Denny&#8217;s</p>
<p>for a Grand Slam bees wax<br />
Florida all the sudden</p>
<p><span style="text-decoration:underline;">DSC</span></p>
<p>&nbsp;</p>
<h4></h4>
<h4>that place seems better than this place</h4>
<h6>&#8211; on Mirror</h6>
<p>same people arguing<br />
justifying their habits</p>
<p>my life stopped at such and such date<br />
whatever this is it isn&#8217;t life<br />
eventually I hope to have a life</p>
<p>maybe I will take yours</p>
<p><span style="text-decoration:underline;">DSC</span></p>
<p>&nbsp;</p>
<h4></h4>
<h4>To indifference then</h4>
<h6>&#8211; (a toast to Sonnets)</h6>
<p>to fear of losing<br />
to mock interest<br />
to violating policy</p>
<p>to religious indoctrination<br />
and Nation in general</p>
<p>to the giving up one vice for two others</p>
<p>to missing the boat(s)<br />
to throwing lines</p>
<p><span style="text-decoration:underline;">DSC</span></p>
<p>&nbsp;</p>
<h4></h4>
<h4>third name (getting closer in shape)</h4>
<h6>&#8211; on Sonnet</h6>
<p>Decisions at early ages<br />
Volunteering &#8216;else to remain<br />
Anonymous  brown masses of<br />
Angels. I won&#8217;t say thank you or<br />
Lift mock trials nor will I pretend<br />
To know if &#8220;no&#8221; in 2007<br />
Matters when compared to the quest-<br />
ions of 2011<br />
I&#8217;ll occupy my time until<br />
The appointed hours whether they<br />
Come or not I&#8217;ll follow you &#8217;round<br />
(Place holder line)<br />
( )<br />
( )</p>
<p><span style="text-decoration:underline;">DSC</span></p>
<p>&nbsp;</p>
<h4></h4>
<h4>Author Biography</h4>
<p>David Scott Curtis, born 21 August 1964, is from Las Vegas, Nevada. He practices architectural design while being a father. Sometimes he writes. David is a member of the Unshod Quills Writers Collective.</p>
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