Bjorn Wahlstrom on the Theme of Democracy
“The last butterfly in Shanghai just landed on my leg.”
March 14th, 2012 § Comments Off on Bjorn Wahlstrom § permalink
“The last butterfly in Shanghai just landed on my leg.”
January 25th, 2012 § 2 comments § permalink
INTERNATIONAL VIDEO POETRY FESTIVAL
SCREENINGS: PORTLAND OREGON – JACK LONDON BAR – 3/19/12 – 8 PM – COVER $8
SHANGHAI CHINA – THE RABBIT HOLE – 3/15/12 – 8 PM – COVER 50 RMB
Finalists –
Lani Jo Leigh (Portland) – Darcy Fisher (Shanghai) – Andrea Hope (Portland) – Posie Currin (Portland) – Ren Rey (Renee Reynolds) – Matthew Reed (Vancouver, BC) – Fork Burke (Switzerland) – Jacques Korn (California) – Zachary Schomburg(Portland) – David Foote (Shanghai) – Michael Earl Craig & Dalton C. Brink (Montana) – Robert Duncan Gray(Portland) – Josh Fernandez (California) – Barbara Anderlic (Shanghai)
HAL PUBLISHING OF SHANGHAI CHINA and UNSHOD QUILLS OF PORTLAND, OREGON have teamed up with Portland’s Monica Storss to produce a cross-cultural, trans-Pacific video poetry film festival. Hosting bi-lateral events in Shanghai and Portland, the festival will celebrate the spoken word as infused by the medium of film, promoting and connecting artists from around the world.
Shanghai and Portland, Oregon have more in common than meets the untrained eye. Dark, busy, and both studded with Shanghai tunnels (those in Portland were used in the insidious pursuit of many illegal activities, including the kidnapping of young men for use as slave sailors on the Pacific; Shanghai’s own tunnels transport people in cars beneath the river to do whatever the hell they want). Both cities are divided by a river of trade and both cities are booming with literary communities as vibrant as anywhere else in the world. Both cities lay claim to Unshod Quills and HAL Publishing, sister sites and companies united in the pursuit of promoting excellent art and literature the world over.
$300 USD (RMB 1900) Grand Prize – Judges Choice for Best Video Poem – Second and Third Prizes – Screening Events in Shanghai and Portland, Oregon – Publication on HAL and Unshod Quills – SECOND AND THIRD PRIZES – DINNER AND BOOKS – more TBA
HAL Publishing, (www.haliterature.com) independent English language publisher based in Shanghai, China and Unshod Quills, (www.unshodquills.com) a Pandemic Journal of the Arts and Letters based in Portland, Oregon, in cooperation with Monica Storss (www.monicastorss.org) of Portland, Oregon announce the first ever SHANGHAI TUNNELS PROJECT — AN INTERNATIONAL POETRY FILM FESTIVAL.
With screening events to be held during March 2012 in both Portland, Oregon and Shanghai, China, this festival will celebrate the art of video poetry—the mix of verse and video into a creative form all its own.
Between now and February 22, 2012, poets and video artists are invited to submit a video poem for entry into the festival. Initial judging will be conducted by editors from HAL Publishing and Unshod Quills.
Eleven finalists will be chosen. Three must reside in Shanghai and three must reside in Portland; remaining finalists may be from anywhere in the universe.
Finally, an international panel of five independent judges (including Mike Tsang, Editor at Penguin Books China, Tammy Ho Lai-Ming, editor for Hong Kong’s Asian Cha and London’s Fleeting Magazines, B Frayn Masters, writer and producer of Portland, Oregon’s Back Fence PDX, and author and publisher Kevin Sampsell, of Portland’s Future Tense Books) will select the grand prize winner from a group of eleven finalists. Two judges will be Shanghai-based, two will be Portland-based and one will be based elsewhere.
Those eleven finalists will be featured at events screened live in Portland and Shanghai where audience members will be provided with a chance to vote for their city’s second and third place choices. There will be only one grand prize winner, but there will be two second and two third place winners.
Grand prize winner will be announced prior to the event
GRAND PRIZE: One winner will be awarded $300 USD/ 1900 RMB
SECOND PRIZE: (LOCALS ONLY) one artist based in Shanghai and one artist based in Portland will be awarded dinner and drinks for two at a local restaurant (Shanghai) or at UQ editor Dena Rash Guzman’s delightful pastoral home, Stargazer Farm in Sandy, Oregon, and assorted books provided by Future Tense Publishing (Portland.) and Small Press Distribution. One copy for each winner of HAL’s newest publication Middle Kingdom Underground will be awarded. Once copy for each winner of HAL’s first publication, Party Like It’s 1984 will be awarded.
THIRD PRIZE: Two finalists will receive a collection of books from HAL Publishing and other sponsors.
ALL FINALISTS WILL RECEIVE PRESS, PROMOTION AND/OR PUBLICATION BY UNSHOD QUILLS AND HALiterature.
(All prizes are subject to change depending on sponsorship, but the guaranteed GRAND PRIZE will be a minimum of $300.)
SHANGHAI TUNNELS CONTEST RULES AND REGULATIONS
TO ENTER:
Please download, fill out and return the entry form above by February 22 to both dena@haliterature.com and butler@haliterature.com.
enter ST SUBMISSION into header to ensure the proper delivery of your entry for the competition.
Please contact Wendy at unshodquills.com with any inquiries or questions. Thank you! Good luck.
September 14th, 2011 § 0 comments § permalink
Born in Sweden, Bjorn Wahlstrom is a writer and publisher living in Shanghai where he works, writes and prays. www.haliterature.com
June 1st, 2011 § 0 comments § permalink
Shanghai, April 2011
I look at you Shanghai. I look at you, you look away.
But mind you Shanghai, this is not a love song,
and fuck the broken hearted,
you know what you did to lose what you had,
you all do, as do I.
You gave me everything Shanghai, all you had to offer,
a billion RMB in an LV man-bag, prime real estate in Lujiazui, an uncle in politics,
and a mink mini-skirt on a late night Mint massacre.
That’s right, I know you Shanghai.
I’d race along your gaojia at approaching midnight,
drink and drive from Puxi to Gotham City,
drink and fuck whoever with an ever numbing sense of self-pity,
as M. closes at two,
I’d spend hours on hands and knees by the Jiangpu,
drinking from your veins Shanghai,
as you would want it,
as you demand that I do,
you dirty beautiful whore, you
pulled my head down by the hair, down under the surface,
and refused to let me die.
I look at you Shanghai, and you look away.
In stars and pearls you dress yourself,
my darling mistress of 2008, back when I owned you,
that’s right Shanghai I owned you, I fucking owned you,
and you loved it how i I’d treat you like a slut back then,
I’d do whatever and you’d follow,
I still found the green alleys of the French Concession charming back then,
I’d text you and you’d join, your own plans instantly over board,
summer evening strolls,
no worries, no panties,
always on the first date, and always closing.
Back then I was mean to you Shanghai, and you never said a word. It goes to your credit.
I look at you Shanghai. You look away.
I cry in Jing’an, but I get wasted in the French Concession,
with all the other 10 million homeless people here,
like all the other secretly exiled poor fucks here,
tequila to forget and drugs for the pain,
pints for the wicked and wine bars for the vain,
Shanghai, you keeper of tabs, you high roller; shine you crazy diamond.
Shine.
I look at you Shanghai, I look at you but I have no idea what you are thinking Shanghai, right now in this moment, right here in this forgotten shitty bar on Wuning Lu where I happen to be now in early 2011,
our fling long gone,
dust and dirty tap water,
rust and 9-5 to no good end.
You see I loved you those first years, I did
I just didn’t understand you, I didn’t know how to show it.
Whatever.
You wear a fashionably short evening gown tonight,
and I was the one who helped you with the zipper in the back, Shanghai, only to see that beautiful back walk away.
That sounds sad, but to you it’s just another bottom line.
I look at you Shanghai and I imagine
that your eyes have a secret warmth for me,
black hole suns for the homeless, a tiny bit of
hot burning love for me, “real” feelings for me, ha!
I look at you Shanghai. You look away.
This is not a rant
Shanghai
you crazy bitch, you lovely creature you,
This is a
requiem.
Born sometime in late 70s Stockholm, Sweden, Björn Wahlström is editor and co-founder of HAL Publications. A sometime writer, he’s a promoter of China based literature, including his own.
After a six year stint in sinologist academia Bjorn became a corporate stooge in 2005, two years after first moving to China. Despite this severe digression, he maintained his interest in the arts and is a passionate patron and promoter of the literary scene in Shanghai, having conceived and founded the city’s most popular English based writers’ group.
His creative writing is colored by a peculiar insight into China, and by his broad familiarity of Western and Eastern philosophy. Bursts of cynical laowaisims (read: foreignerisms) are tempered with a genuine appreciation and understanding of China, a sane madman in a crazy land. Bjorn is a member of the Unshod Quills Writers Collective.