Jillian Brall of Unshod Quills on America

September 14th, 2011 § 2 comments § permalink

America the Beautiful - original painting, Jillian Brall

Out Of This World

Stop whatever you’re doing and come inside.
Skeletal structure has no use in a weightless environment.
There are some writers who don’t seem to have any necessity to travel at all.
It’s all inside.

Postcards saying Greetings from the U.S. of A! never feature photographs of winkled faces.
I pointed this out to you and then said something about plastic surgery.
Then a couple minutes later inside a bookstore
a girl walked in and said something about plastic surgery.
I pointed this out to you and you sang Synnchronicccityyyy.

Over someone’s shoulder I read, “Should have been the happiest”.
A couple minutes later over the same shoulder I read, “Democracy”.
But I knew the real ending to the sentence was “girl”.

Someone added a Hitler mustache to the graffiti monster on my block.
The character in the violent game said, “I’ve never seen it so quiet”.
The kid said, “Yo yo yo turn it up.
This is the best part.”
This is the part you recognized from a world away.

Author Biography:

Jillian Brall is a writer, musician and visual artist living in Brooklyn, NY. She co-edits the journal Lyre Lyre. 

Mark Olival-Bartley

September 14th, 2011 § 5 comments § permalink

A sonnet on the theme of America and a translation of Rilke on the theme of “Somewhere Never Traveled, Gladly Beyond.”
Eclogue

I heard a soldier on NPR speak
of an Afghan widow who, in a field
of blooming poppies, stooped low in the mud;
she’d been at her work for hours: “Crazy,”
he thought, watching the white dress go blood red
with flower stains of decollated bulbs
with a curious amount of leisure.

As in a gallery patron’s treasure
hunt, where each find is found, say, like the daubs
of Hofmann’s blasted and fragmented bed
of sanguinary chunks, lit by hazy
afternoon, she’d toss with a horrible thud—
he realized only later—the gross yield
of a land mine, which made the basket leak.

The Death of the Poet

There he lay. His pale face, propped up, then fell
to balk at the steepness of the pillow
as the world and what of it one can know
were being ripped from his senses ever so,
relapsing through a year of listless hell.

Those who saw him then did not know the grace
with which he was at one with all of this—
these thises: This depth, this meadow, and this
water that was being put upon his face.

On his face, there came indeed a vast tide
wanting him and looking for him with care;
his mask is, with the fear no longer there,
as tender and open as the inside
of a fruit spoiling in the outside air.

Sonnet by Rainer Maria Rilke

Translated by Mark Olival-Bartley

Der Tod des Dichters

Er lag. Sein aufgestelltes Antlitz war
bleich und verweigernd in den steilen Kissen,
seitdem die Welt und dieses von-ihr-Wissen,
von seinen Sinnen abgerissen,
zurückfiel an das teilnahmslose Jahr.

Die, so ihn leben sahen, wußten nicht,
wie sehr er Eines war mit allem diesen;
denn Dieses: diese Tiefen, diese Wiesen
und diese Wasser waren sein Gesicht.

O sein Gesicht war diese ganze Weite,
die jetzt noch zu ihm will und um ihn wirbt;
und seine Maske, die nun bang verstirbt,
ist zart und offen wie die Innenseite
von einer Frucht, die an der Luft verdirbt.

Rainer Maria Rilke
1875-1926

Author Biography
Mark Olival-Bartley studied applied linguistics at Hawaii Pacific University and poetry at CUNY’s City College.
He lives in Munich, where he translates German and Danish literature.

Dena Rash Guzman of Unshod Quills on America

September 14th, 2011 § 0 comments § permalink

salt box house

I’m wood-clad, weathered
gray by snow and sun. The lights
inside my stories flicker as the moon
calls and departs, full or waning –
phases little matter, matter little
to hours creeping through
the rooms which define and redefine
by fashion and function my trusses,
my mortise-and-tenon joints.

The architecture of nothing nailed,
of metal shanks not present, solid
and creaking all at once; simple
and stoic, I populate
my space in time as only something
purely necessary will. Leaning near
a copse of trees, I cover and nurture
my humans, my spanning generations.
They creep from cradle to rocking chair
here beneath my hand hewn beams,
crafted to last beyond the end of a
hammer’s ring,  until after
the end of fleshly
pleasures, of love, or loss. I decay
over decades but hold.

Author Biography

Dena Rash Guzman is a writer. She edits Unshod Quills.

Mark Talacko – Groupthink – America

September 14th, 2011 § 1 comment § permalink

 Wings

Howdy-do, Buckaroo.

Things are grand in the heart of this living empire.

The buildings shine white and grass grows thick on the
bones of decaying armies.

Statues and monoliths weather the elements to bring hope and ensure the ideas that
bind the Empire are not lost and forgotten.

At DuPont circle, a man walks assuredly around the fountain for hours on end, laughing to himself and bursting into tears.

At I and 15th, two men of the law chat amiably at a red
light, thick coronas smoking in their left hands, while
their right hands rest firmly on the throttle of their motorized steeds.

In the trunk of the car behind them, the
body of a young girl decomposes.

A man, his vesture immaculately tailored, ascends from
the metro and enters a mirrored hive. He passes the
outstretched palm of a woman, dirty and deep-lined with years.

A group of school children follow their teacher up the
capitol steps, as waves of Latvians, Chinese, Hondurans,
Israelis, Russians, Samoans, Argentineans, Cambodians,
Uzbekistanis, Moroccans, Mexicans, Pakistanis, Kenyans,
Namibians, Germans, British, Venezuelans, French,
Laotians, Jamaicans, Columbians, Egyptians, Senegalese,
Tongans, Canadians, Koreans, Vietnamese, Iranians, Swedes
and the Dutch race by with their cameras and swelled imaginations.

A man sits quietly by the reflecting pool whittling an inchoate form from a piece of cherry wood with a buffalo bone handle knife.

He observes a group of fattened senators slap each other on the back in necessary camaraderie.

The children reach the top of the steps – their shuffling
feet so small and tender – and turn to face the stretch of the
Mall.

The teacher delivers a propagated speech that
brings tears to the eye of a veteran ambling by as the
children stare in wonder at the grass, so strong and
green, while their young fingers and noses twitch with
electricity.

The teacher lets them breathe the Empire in. And then
herds them into the Capitol with a great sense of pride
and accomplishment in a duty well done.

One little girl lags behind.

She steps out of the swarm of her classmates
and takes a seat on the steps.

She observes the scene for herself.

Her young mind, free from the loudspeaker of her
teacher’s voice, begins to hum, fusing the words of her
teacher and its own experiences together to form
questions and knowledge.

Her eyes wander down from the copper back of Grant and
his horse to meet those of the whittling man.

He returns her stare. His eyes are deep and piercing.

She is scared.

Her mind flashes battle cries, feathers and bare-chested
warriors with whizzing tomahawks; taut bows and sharp
daggers between teeth. Words spring from books read and
things heard. Images glow from things seen through
projected eyes.
She should flee and join her class but her fear is checked by his smile. It draws her.

She walks down the steps to him, her mind moving into new realms and planes, recording and connecting.

“Hi,” he says crouching down to her level as she timidly approaches him.

“Hi,” she whispers.

“My name is John,” he pauses. “What’s your name?”

“Susie,” she says, a little louder than before, but dropping her eyes to his shoes.

“Hi, Susie. Are you having a good time in Washington?”

“Yes.” She looks up at him.

He smiles warmly.

She feels the tension leave her body. She smiles warmly in return.

“Are you learning a lot?”

“Uh-hmm,” she nods.

“Do you like learning?”

“Uh-hmm,” she nods again.

“That’s good, Susie. You remember to always keep your mind open and learn, OK?”

“OK,” she smiles.

She bounces on her toes, and looks around her, “Um…are you an In’jun?”

John smiles. His deep eyes twinkle.

“Yes,” he says in a voice filled with laughter. Susie relaxes.

“I thought In’juns were bad,” Susie says. Her eyes look askingly at John’s.

“Well, there are bad Indians, just like there’s bad every bodies. And there’s good Indians, just like there’s good every bodies. Have you noticed?”

“Uh-hmm,” Susie nods her head. “There’s this boy who always pulls my hair when we have tests,” she says quickly, surprised at her own voice.

“And you think he’s bad?”

Susie nods her head.

“And are there any good kids in your school? Your friends?”

Susie beams, “Kim’s my best friend. She always gives me her apple sauce at lunch because she doesn’t like it.”

“That’s a good friend,” John smiles.

“You’re a good In’jun, right?”

“What do you think, Susie?”

“Ya. I think so. You’re nice.”

Susie smiles at him with her eyes.

“Thank you, Susie.”

“SUSIE?” The teacher’s worried voice booms from the capitol steps, “SUUUUSIE!”
.
Susie whips her head around and waves to her teacher. Her teacher spots her.

“Get up here young lady,” she shouts, her left hand motioning angrily up the steps, while her right hand remains planted firmly on her hip. The people turn to watch.

“I gotta go,” Susie says, standing in place.

“I hope I didn’t get you in any trouble.”

“No. Ms.Washington is always yelling.”

“Is she bad, Susie?”

“I don’t think so. She lets us have class outside on nice days.”

“That’s nice.”

A silence lingers in the air.

“Well, it was nice meeting you, Susie.”

“You too.”

“SUSIE! Get up here now!” Ms. Washington yells.

“‘Bye,” Susie says, turning to run.

“Wait Susie.”

She stops and turns back around.

“Here you go.”

John gently takes Susie’s hands and places the whittling work into them.

“Now, scoot along, before your teacher gets really mad,” he says, pushing her softly away.

“Thanks,” she says and moves off slowly.

“Remember, you learn something new every day, OK?” he calls after her.

“SUSIE CUSTARD! GET UP HERE RIGHT NOW!”

“I will,” she says over her shoulder, and races up the steps.

“Don’t you ever get away from the class like that again,
do you hear me? The whole group has had to wait because
of you. Who was that man? What did he say to you? Who was
he, hmm?” Ms. Washington rattles on breathlessly.

“That was john. He was nice.”

Susie smiles at the angry Ms. Washington.

“He told me to learn every day,” Susie says, hiding the whittling in her hands against her belly.

“Well, that’s good,” Ms. Washington pauses, somewhat
confused. “Come on. We’re all waiting,” she says, the
anger gone from her voice.

Susie turns to John and waves.

John waves back.

Ms. Washington hesitantly raises her arm to give a wavering salute.

“Come on Susie,” Ms. Washington says, and she turns, pushing Susie gently in front of her to rejoin her class.

As they walk deeper into the Capitol, under its arching columns and balustrades, Susie opens her hands to see what John gave her. In her soft, pink palms rests a magnificent eagle with a broken wing.

Author Biography
A father and husband

A writer
Born
Living
Procreating in the physical and mental realms
Betting on infinity with ink and sperm


Jason Mashak – Unshod Quills – America

September 14th, 2011 § 0 comments § permalink

AMERICAN HISTORY (EXCERPT)

On the first Thanksgiving, the Aztecs
gave the Quakers turquoise-studded Turkish hens
and forgot to tell them not to bite
down
hard

Author Biography

Jason Mashak has been a guest on Planet Earth for 38 human years. He lives in Prague, Czech Republic, in a houseful of Slovak women.

Maggie Ellis

September 14th, 2011 § 1 comment § permalink

Young new poet  and artist Maggie Ellis on America and “somewhere never traveled, gladly beyond.”

Maggie Ellis - Collage - Somewhere Never Traveled, Gladly Beyond

Improper

Here is the Improper, “you stop her,” party hopper
A hoper for poppies, “stop me”s, but she’s on her feet now, can’t
Catch or catch-all,
“Just let her fall,”
While the willows will, low or high, raise up
Their branches between the buckwheat fields. Now, down the street, straight,
Strutting, an instantaneous insider,
Initially intending only to injure, ignoring the insights inside, inept and
Benevolent,
Ignorant and wise and peppered with fears of irrational –
No, but this is a country lane, higgledy-piggledy piling around places and pieces of hay, You kids!
Just let it go, leave it be, let it alllllllll hang out, there’s so much to live, for you and me are together,
Again, with the stay off the lawn!

She’s faster, she’s racing, beginning to gain again, to leave you in the Dust –
Stop her, stopper, stop her, cradle the crippled craziness near the crutches
And cockles of your heart, hear her “Stop me”s, heed her holler of Help, help, Hell
With it, all sick, all sweet, all sour, She shouts shut up, and silently sink me slowly below
The edge, the brink, I mutter “Don’t want no damn shrink”, blink, blink.

And sweet-smelling secrets rise from the scrap-heap, king-worthy, dirty, apple-
Blossom clean, they sift through a screen of consciousness.
She is collecting, collaborating, correlating, corresponding quietly, quickly, quaking,
Quickening her pace, counting her pulse, Up and about and around, childish chivalry changing her
Revisions, decisions, visions, her fissions into fractions into wide, wide spaces
Surrounding the thunderstorm in her heart, calling
To your heart,
Bridges broken
Beaten
Silence spoken,
Eaten, defeated.

Author Biography

Maggie Ellis
Lancaster, PA

Student, flower-child-Quaker, and alive

Katrina Hamlin – Groupthink – America

September 14th, 2011 § 3 comments § permalink

The Beautiful Country
(originally published at Haliterature.)

My name is Xiao Yu. I am nineteen.

I have eaten KFC fried chicken and onion rings, washed down with milk tea. Then I ate a doughnut, which is an incomplete cake with a hole in the middle.

I have heard rap, which is when you have a song but you don’t sing. I can do that at the KTV.

I have seen their TV show series, which are about real life, but with shiny teeth and hair and perfect love.

So I already knew quite a lot about the Beautiful Country when I met my first Beautiful Person.

The Beautiful Person, whose name was Sam, was still in some way not what I expected.

He was quite shiny in his teeth and hair, and his clothes were Famous Brand clothes. He said he sometimes liked a doughnut, and no, he was not upset that there is a hole in the middle. But he did not eat chicken burger because meat, because he felt sad for the chicken birds, and he said milk tea was maybe more English like British English.

He could rap or sing, and he did not speak like Wu Tang Klan, which was a pity, and many of my friends felt he was boring at KTV. He also said whisky and green tea made him sick. Then it did make him sick.

It was after the sick night, when we found he could drink beer ok, that I really came to know the Beautiful Country better than any of my friends because the Tsingdao helps him to speak more true.

Because we were talking about why he must leave the Beautiful Country and come to the Middle Kingdom, why the Middle Kingdom is ok. I said I thought he must like the bright lights, tall buildings, very modern technology places like Pudong.

He said he was a little sorry, but no, it was not for the development of our country that he came. It was more negative choice, because there was nothing for him in the Beautiful Country.

I asked him more about this, and told him to remember the famous brands and the television series. He said this is not really the Beautiful Country. But anyway, he said he meant more no girl friend, no job, no money. He was looking sad.

I told him clearly he can find these things in Shanghai, I could help him. So this is no problem, and he should not worry.

I said this because I wanted him to shut up about these easy to fix things, which made me boring to listen, to ask him about these not-Beautiful Beautiful things, the Famous Brands and KFC and etc.

So he explained that actually really life in the Beautiful Country is not always perfect and rich although people have very white teeth. He also explained that the KFC in the Beautiful Country does not sell the fried pumpkin cakes like they have here, which I think are much better than doughnuts since they have no hole in the middle when you buy them.

This and the Tsingdao, which actually I have not drunk so much of before, all this allowed me to see things much more clear. I told him he could live forever much more happy in Pudong, where I will help him to find a girlfriend and a job and a money, and also live in a very modern tall buildling with flashing lights.

He said thank you.

I said no need to thank me.

I said good night.

I will meet him again tomorrow.

The End.

Author Biography

Katrina Hamlin is a journalist and writer living and working in Shanghai. Originally from Hong Kong, she has also lived in England and Chengdu, China. Katrina’s articles and stories appear in Shanghai-based HAL publications’ books and website,  Chengdu-based MALA literary journal, the Curious Ant and ThinkSix web projects, and Shanghai Business Review magazine, which she edits.

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